Type: Literary Analysis
Pages: 2 | Words: 491
Reading Time: 3 Minutes

Hollywood has been blamed of deliberately and consciously violating the American historical records. However this argument of historical destruction has no grounds since the concern is geared towards the contribution of films in the contemporary society to help understand the historical events regardless of its presentation. Hollywood therefore has been used as a form of historical recap and ideological presentation to express national preoccupations in American history and its consequential revolution. Hollywood films has also been berated as a mean through which history was re-written exposing all the atrocities that were committed and forces of a revolution build up from this events and presentations (Pepper and McCrisken 16).

There has been films whose directors were African — American whose films has been seen to focus on the African — American subject exacerbating conflicts and confrontations rather than peace, reconciliation and assimilation in the American society. Hollywood in addition has shifted the attention and decided to make African — American a subject rather than object in their films. Hollywood and African directors differed on this specific issue with regard to “˜a new black film wave’ and the mainstreams of the Hollywood films. To extend their rivalry, Hollywood films have narrowed to issues concerning the whites like romance, glamour, sexploitation and violence subjecting African — Americans to a marginalization and stereotyping (Pepper and McCrisken 23).

The racial segregation and discrimination has advanced the notion of the superior American whites to segregate them to a place of pure white dominated society characterized with symbolic order as well as racial hierarchy in the American society with African – American at the bottom of the hierarchy or even outside the hierarchy. This trend witnessed the emergence of black film industry advocating African — American views with regard to black culture expression, ideas and styles of consumer culture. African — American were regarded so lowly to venture in the film production industry. The emergence of black film industry was to communicate a strong message to the white and the Hollywood about how African — American funding, producing and distributing their films which attracted wide and large populace of audiences. Their concern was not only how the African — American from 1960s onwards represented the struggle for quench and desire for racial equality and the start of black nationalism with regard to political, social and cultural forces but also the demarcation between Hollywood and the black independent films (Pepper and McCrisken 29).

Mostly, Hollywood concentrated with the interests and affairs of the white and segregated the American society as exclusively white dominated disregarding the existence of African — American race. This scenario has witnessed stiff opposition from black cinemas which have championed the interests and rights of the African — American citizens in the American socio-cultural and political fronts. These black films and cinemas have been in the forefront to demonstrate the privilege, capabilities and interests of African — American affairs from the black viewpoint and perspective (Pepper and McCrisken 38).

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